Plans to host a ‘Dirty Weekend’ at Porthmeor to explore all things dirt with other artists had to be shelved so I wanted to bring some dirt to our farewell party and mud arm wrestling seemed the most manageable. It was interesting to witness various resopnses to the dirt (mud and water mixed up on plastic sheeting on a table) how some people embraced it and others were quite obviously repulsed.
0 Comments
I didn't expect to draw inspiration from the idyllic view out of this studio window but I have spent a significant amount of time at the window playing with different muds on the window, watching it dry, seeing how the view changes, creating peepholes, observing the patterns that the mud creates ... I am daily photographing the scenes and have selected 6 images (out of hundreds clogging up iPhoto) to turn into Dirty Postcards all of which can be bought here http://dirtworks.bigcartel.com/products
I photographed a small area of mould in the CAST http://c-a-s-t.org.uk building before it was turned into studios and a wonderful cafe. I did print this up as wallpaper for the Darkrooms exhibition (held in the building) and placed the wallpaper in a cupboard. I've always wanted to see it on a large scale so was thrilled when I finally got a wallpaper company to print it up for me. It is my intention to one day return this mould back to the CAST building from where it came - I love the idea of bringing back some of the history into the building and in particular something that was scrubbed away and seen as a health hazard returned as something decorative and beautiful to be admired.
Open Studios is on my mind. This is a drag. I'm not very good at having people coming into the studio, it's such a private space usually filled with unfinished pieces, works in progress .... a mess. Strangely though once someone is in here it feels 'ok' like I can cope, especially if the focus isn't on what I'm up to in here, I usually end up enjoying the company.
I sometimes sense the discomfort people feel if they don't know my work, trying to find something to say about what I'm up to. Very early on I had someone in the studio ignore the dirt in progress that was going on around them (can't blame them and I was relieved!) and comment on the large empty wall "Ooh what are you going to put on there?". The pressure of even the thought of Open Studios here in the prestigious Porthmeor Studios is an uncomfortable feeling. Will people pop in expecting large scale paintings? or something to buy? (neither of which they are likely to find here in Studio 9) So much of my time I've spent here has been research, process, playing and then wiping the slate clean again. I don't want people to feel they have to comment or respond to work in here - perhaps because I often feel that I need to find something to say when I visit other studios? I wrote all of the above yesterday after a particularly bad day in the studio, today I woke up in the studio with a slightly more positive 'kick myself up the arse' type approach. Open Studios will be a good 'half way' point for me to reflect on the first part of my time here in Porthmeor. I've cleared the decks (again) and picked out work that I can feel is going somewhere, has the potential to develop. It will mean that this Open Studios will be very much work in progress but if I'm honest that's what I personally like to experience when I visit other artists studios, I'm not visiting for a 'curated gallery experience' or to go 'shopping' . So Open Studios will consist of: Dirty Postcards Dirty Pictures Dirty Hearts Dirty Balls Dirty Windows I am also hoping my wallpaper will arrive in time as despite wincing at the question "Ooh what are you going to put on there?" I've realised I've always wanted a large wall to play with to see what my mouldy wallpaper would look like ;) There, it's down in print now. Got to get on with it now. I will welcome you all, with tea, coffee, wine and a smile - time to come out of hermit land. x Not feeling this work at the moment, not getting excited about development possibilities so it's being shelved for now ..... I have 4 large sacks of plastic that will have to sit and wait till I'm ready to pick up where I left off. For now, the space has been cleared again. I've recently been running some workshops for young people that have involved using mud. The preparation of the space (not by me) has been reminiscent of an alien autopsy lab ..... the floors and tables covered with thick plastic sheeting to 'protect' the room. At the end of each session I've bagged up the slightly soiled plastic sheeting with thoughts of sculptural pieces. Having brought them into the studio I've added dirt to them and began working with it on a large scale, something I don't often have the opportunity to do.
The view from the studio that has inspired so many artists is other-wordly - It's almost unreal. Every time I look up I am taken aback by the picture perfect postcard view of St Ives, every minute a photo opportunity, but is it really the reality of St Ives? I've decided to muddy the view, to cloud the perspective, to dirty up what appears to be so perfect. Echoing a project I did recently with artist Jonty Lees ( https://circuit.tate.org.uk/2015/04/popping-up-in-penzance/) where on the first few days of taking over an empty shop we played with windowlene on the windows, making patterns, doodling with our fingers in the white wash, viewing the street from a hidden perspective I've decided to do the same but with dirt. I feel a set of alternative Dirty Postcards coming on .....
|
AuthorI always love a peek into fellow artists studios, seeing work in progress and ideas being played with. Categories
All
Archives
July 2024
|